




Flame
After studying the work of Old Masters for many years, Nigel Mason’s art incorporates centuries-old trends and techniques.
The untouched background and lightly sketched foreground of this artwork creates a more intimate connection to the artist and his process by deliberately leaving the piece seemingly unfinished.
This is characteristic of non-finito art, a trend that emerged in the 16th century after Italian Renaissance painters like Michelangelo and Leonardo da Vinci left their sculptures and paintings unfinished. As explored in a 2016 exhibition at The Metropolitan Museum of Art in New York, this unfinished quality values naturalism over idealism and is alluring in its imperfection.
Shop more of Nigel’s original art here.
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Description
After studying the work of Old Masters for many years, Nigel Mason’s art incorporates centuries-old trends and techniques.
The untouched background and lightly sketched foreground of this artwork creates a more intimate connection to the artist and his process by deliberately leaving the piece seemingly unfinished.
This is characteristic of non-finito art, a trend that emerged in the 16th century after Italian Renaissance painters like Michelangelo and Leonardo da Vinci left their sculptures and paintings unfinished. As explored in a 2016 exhibition at The Metropolitan Museum of Art in New York, this unfinished quality values naturalism over idealism and is alluring in its imperfection.
Shop more of Nigel’s original art here.



















