Kruger
Dark, dystopian and visually powerful, We Three Kings by Robert Oxley captures the majesty of the world’s deadliest predators. For the first time, the works have been printed using a 2D format to mirror the artist’s original paintings.
Robert says: “This piece takes its name from the Kruger National Park in South Africa. I played with the edge of the image, losing some to the darkness. I like the idea that if the cat moves slightly, it will disappear into the shadows. The black background is a nod to the carbon black of early cave paintings and the primitive darkness.”
Crafted in the UK, the pine stretcher bars used to mount the artwork are sourced from sustainably managed forests. The canvas is a 350gsm seedless 100% cotton, creating a premium, high-definition effect. A high-gloss acrylic giclée varnish offers a great depth of colour and extra UV protection.
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Description
Dark, dystopian and visually powerful, We Three Kings by Robert Oxley captures the majesty of the world’s deadliest predators. For the first time, the works have been printed using a 2D format to mirror the artist’s original paintings.
Robert says: “This piece takes its name from the Kruger National Park in South Africa. I played with the edge of the image, losing some to the darkness. I like the idea that if the cat moves slightly, it will disappear into the shadows. The black background is a nod to the carbon black of early cave paintings and the primitive darkness.”
Crafted in the UK, the pine stretcher bars used to mount the artwork are sourced from sustainably managed forests. The canvas is a 350gsm seedless 100% cotton, creating a premium, high-definition effect. A high-gloss acrylic giclée varnish offers a great depth of colour and extra UV protection.
